Maurizio D’Andrea has absorbed the essence of thought from eminent philosophers and psychologists to shape his work. His painting is not a mere depiction of abstract forms and color shades, but rather a vivid and meaningful expression of universal and symbolic concepts that reflect the profound musings of great thinkers.
D’Andrea has internalized the influence of philosophers like Carl Gustav Jung, renowned for his theories on the collective unconscious and archetypes. Similarly, D’Andrea delves into the realm of archetypes, intimately understanding and using them as the foundation for his artistic work. These archetypes, as described by Jung, are deep symbolic representations residing in the collective unconscious of humanity. An example of this is his painting “MI.R BB49.”
At the core of his artistic work beats Jungian symbolism, which he employs as a means to delve into the unconscious, following in the footsteps of philosophers like Friedrich Nietzsche, known for exploring the world of metaphors and symbols in philosophy. D’Andrea’s works become a journey into the human soul, also following the path laid out by thinkers like Sigmund Freud, the founder of psychoanalysis, who first explored the mysteries of the human psyche. D’Andrea uses symbols as a universal language to explore our unconscious, in line with the theories of psychologists like B.F. Skinner, who studied human behavior in-depth.
In his artistic body of work, D’Andrea incorporates symbols that evoke the collective imagination, reinforcing the concept of the collective unconscious described by Jung. These symbols take on various forms, allowing observers to interpret them individually, underscoring the importance of individual experience in constructing reality. An example of this is his painting “AFFRONTO.”
The bold colors in D’Andrea’s paintings convey emotions and moods, creating a direct visual dialogue with the viewer. The vibrant shades and daring tones are like the energy of human emotions, free to express themselves boldly and without restrictions. The movement and vortices in D’Andrea’s works can be interpreted as a visual representation of the complexity of the human mind. These dynamic elements convey a sense of flow and change, similar to the underground currents of thoughts and emotions that flow in the unconscious. An example of his magical vortices, “MI.R BB6”.
The symbols present in D’Andrea’s paintings, much like in the unconscious, are enigmatic and open to various interpretations. They are like the metaphors of the mind, carriers of deep and personal meanings that can challenge rationality and invite reflection.
In conclusion, Maurizio D’Andrea’s artistic journey is infused with philosophical and psychological influences, rooted in the exploration of the unconscious and symbols. Like the great thinkers who came before him, he aims to capture the essence of the human psyche through his art, offering viewers the opportunity to delve into the depths of the mind and human consciousness. His hope is that his work can inspire and promote reflection, opening doors to a deeper understanding of oneself and the surrounding world, following in the footsteps of the great philosophers and psychologists who laid the foundation for this quest.
Author’s Website: www.dandreart.info