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Robohood Art Technology and NFTs: Charting the Future of Artistic Innovation


Under the leadership of President and founder Vladimir Tsimberg, Robohood emerged a few years ago as a powerful blend of art and technology. Tsimberg, a visionary entrepreneur, saw the potential in using Robohood art technology to allow robots to craft genuine art pieces with acrylics and oils. Over time, this groundbreaking approach has found its stride, especially in sectors like education and medical rehab, addressing their unique challenges and demands.

Who is Vladimir Tsimberg? Key Milestones of His Professional Journey.

Vladimir Tsimberg, physician and entrepreneur, assumed his role as president of BioVitrum in 2001, a medical diagnostic equipment firm near Russia’s State Hermitage Museum. As an entrepreneur with a keen eye for innovation and a deep appreciation for art, Tsimberg was inspired by the museum’s vast collection and the potential of his medical endeavors. Recognizing an opportunity to bridge the worlds of art and technology, he founded Robohood LLC in 2021, introducing groundbreaking robotic painting showcased in the Van Der Bot collection. By the close of the year, this visionary endeavor evolved into Robohood Inc, based in Fort Lauderdale, featuring a Mobile Robotic Art Studio set to revolutionize the way artists collaborate.

While the artistic domain witnessed Robohood’s revolutionary robotics, the digital currency sphere was abuzz with NFTs, a concept not everyone grasped. Warren Buffett’s observation, “The less you know about something, the more exciting it seems,” perfectly captures the initial mystery and subsequent NFT frenzy in 2020-21.

One only needs to consider the unprecedented sale of Beeple’s “Everydays: The First 5000 Days” for a whopping $69.3 million, starting from a mere $100, at Christie’s first-ever NFT auction to gauge the scale of this phenomenon. Following suit, artists like the Russian virtuoso, Pokras Lampas, leveraged the trend. Lampas notably digitized his work, projected it on the Chirkey hydroelectric plant, and subsequently converted the visual into an NFT, raking in $29,000.

Meanwhile, Grimes, known for her previous association with tech magnate Elon Musk, made waves by selling her NFT artworks, amassing a cool $5.8 million in just 20 minutes. With such trends, it’s hardly a surprise that Pak’s “The Merge” fetched an astounding $91.8 million.

As artists from all corners of the globe delve into this digital domain, a common sentiment resonates among them, “If there’s a notch above the uniqueness of my art, it’s when it becomes an NFT.” Undoubtedly, NFTs have heralded a new era in art, tech, and commerce, eliminating traditional barriers and embedding intricate ownership and royalty details within smart contracts.

Why are Artists Drawn to Robohood Art Technology and NFT Possibilities?

In the dynamic digital world, Robohood, led by visionary entrepreneur Vladimir Tsimberg, is revolutionizing the art scene. They’re venturing into the “phygital” realm, where the digital and physical coalesce. This isn’t just a fleeting trend; our world, with its QR codes and e-tickets, is progressively merging the online and offline.

A vivid illustration of this convergence came in 2021 when Injective Protocol purchased and burned Banksy’s “Morons (White)” for $95,000, then sold its digital representation as an NFT for $380,000. This act emphasized the belief that the value of art might be maximized in its digital state.

Furthermore, Robohood’s methodology is unparalleled in its innovation. Their technology creates a “Digital Twin” of an artwork, recording each of the robot’s precise movements and brushstrokes. It’s a process that digitally archives an art piece even before its real-world creation. This offers art enthusiasts a unique opportunity to own both the NFT and its tangible counterpart.

Beyond that, Vladimir Tsimberg’s Robohood incorporates multiple digital facets into their tokens: the foundational image, the generative network’s prompt (such as their proprietary Stable Diffusion), and the rendering process. All these elements, encapsulated within an NFT’s smart contract, significantly enhance its inherent value.

As Robohood studios expand globally, Tsimberg’s venture stands at the forefront of this phygital art evolution.

Collaborations in the Digital Renaissance: Robohood Art Studio, Painting, NFTs, and Software Integration

In the evolving NFT art scene, artists are increasingly turning to Robohood’s art studio to harness the power of intricate data within these smart contracts. For many, it’s not just the canvas that speaks volumes, but the underlying data. The Robohood robot has become an indispensable partner in their creative journey, much like how styluses and tablets revolutionized digital art.

Artists like Lethabohuma and Alecttn are pushing boundaries, transforming digital NFTs into tangible masterpieces using Robohood’s advanced technology. This synergy was further demonstrated when blockchain artist F.o.E., collaborating within the Robohood art studio, birthed the captivating NFT collection “Robot & F.o.E.”

Recalling the audacious act of burning a Banksy masterpiece during the NFT surge, Robohood’s technology demonstrated its precision in painting, flawlessly recreating the lost piece. This achievement wasn’t just about replicating an artwork; it highlighted the enduring nature of art, regardless of the means of its creation. As NFTs start to blur the traditional boundaries of artistic expression, tools like Robohood are playing an increasingly central role, driving a reevaluation of how art is created, collected, and cherished.

In this era of digital renaissance, artists are not just turning to new platforms, but also to innovative techniques like those offered by Robohood, blending traditional painting with cutting-edge technology. Prestigious institutions, from the Pompidou Center in Paris to the Hermitage in St. Petersburg, are recognizing this shift, curating NFT collections that embrace the future while respecting the past.

From Boom to Blossom: The NFT Landscape, Vladimir Tsimberg’s Vision, and Robohood Art Technology’s Evolution

As Ralph Waldo Emerson famously noted, every boom inevitably leads to a bust. With crypto art’s rapid ascent, a decline in enthusiasm was bound to follow. By April 2023, interest in NFTs plummeted by 76% from its peak in the prior year.

Despite its groundbreaking year in 2021, boasting a market growth of $22-26 billion, 2022 saw a dramatic downturn. Dune Analytics highlighted that by that fall, trade volumes had dwindled by a staggering 97%. Chainalysis noted a nosedive in average selling prices, from $3894 in early May 2022 to a mere $293 by July. The number of NFT holders hit a 12-month low on April 19, with a count of only 11,187 traders. That same year, a whopping 80% of tokens from premier collections remained unsold.

Yet, the versatility of NFTs as a transformative technology can’t be understated. While the art sector has been its primary domain, the scope of non-fungible tokens extends far beyond. Their dip in popularity could be equated to the Gartner Hype Cycle, where technologies traverse from an initial surge of enthusiasm to a phase of broader practical application.

NFTs aren’t just grappling with the standard disillusionment succeeding their euphoric peak. Economic dynamics, such as the Federal Reserve’s rate hikes, exert pressure too. As these tokens are perceived as high-risk assets, they become sensitive to such shifts. However, as liquidity becomes more accessible, NFTs might just regain their luster.

Additionally, the volatile nature of the cryptocurrency market cannot be overlooked. Bitcoin’s 80% growth early in the year rejuvenated interest in NFTs, with January transactions totaling 9.5 million—a 42% increase from the previous month. Despite this, the NFT art market has contracted significantly since its 2021 zenith. But there’s a silver lining: Sotheby’s recent auction for the Three Arrows Capital digital art collection raked in $11 million, doubling anticipations.

Regardless of the dip in overall trade, by July, platforms like Ethereum and Polygon processed nearly six million NFT-centric smart contracts. Alchemy’s report highlighted this as a staggering 302% and 1107% increase from Q1 2023 and Q2 2022 respectively. Moreover, generative arts such as Fidenza, Ringer, and Squiggles made waves, with some fetching or surpassing 50 ETH.

Statista predicts the NFT marketplace to reach a commendable revenue of $1600 million by 2023, signaling an unwavering faith in its potential. Dips in volume might not necessarily symbolize stagnation; they could herald industry maturation, fostering diversification and growth.

Vladimir Tsimberg’s Robohood positions itself as a pivotal connector linking the illustrious history of NFTs and their bright horizon. This avant-garde tech confronts existing stereotypes associated with NFT artistry, dispelling myths of it being mere “copy-paste” iterations. It promises a holistic experience, enabling artists to connect with potential buyers and enthusiasts to navigate the evolving Web 3.0 landscape.

As various enterprises delve into the world of NFTs to enhance customer interactions and foster loyalty, Robohood’s software stands as a beacon of technological prowess, underscoring its commitment to refining the art and commerce of digital tokens.


Evoking the fervor of the 17th-century Dutch tulip mania, the rise and subsequent cooling of NFTs appear to tread a similar path. While the speculative bubble of the tulip trade eventually burst, tulips themselves remained cherished and cultivated. In a similar vein, after the initial whirlwind of excitement, NFTs are poised to stabilize and embed themselves as a cornerstone of contemporary culture. With tools like Robohood’s software at their disposal, artists and collectors alike are better equipped to craft and appreciate digital masterpieces in this transformative era.

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